The Matrix: Transgender Allegory, Applicability, and Me
You're listening to the
Companions audio articles, a new
series that features our best
stories on the companion. I'm
Rebecca Davis. Today, I'm happy
to present to you an expert
analysis on The Matrix entitled
Transgender Allegory,
Applicability and Me by Ell
Twine as part of our pilots he's
in. You see, when we first
launched the companion, we
created the mission to become
the home for sci fi. But with a
category so rich with characters
and stories, where would you
start? We ultimately decided on
the 90s because it was a
generation of science fiction,
film and television that defines
so many of our lives. If you
haven't listened to our other
audio article, the last action
heroes how the 90 Swap bugs for
thinkers, you should listen to
it right after this episode,
because it sets up the themes of
transformation we're about to
hear now. That article breaks
down the literal transformation
through Hollywood's casting
choices based on the reflection
of the cultural, societal and
technological shifts over that
decade. And ends with Keanu
Reeves as Neo. There may not
have been a more influential
film in that era than The
Matrix. I think so many of us
can see pieces of ourselves in
Neo, Trinity and even Agent
Smith. For those of you who
haven't seen The Matrix, you may
want to first as we break down
the film scenes in this
analysis, transgender allegory,
applicability and me by L twine.
Neo coughs blood as he comes to
a kneel on the train tracks
attempting to get himself back
on his feet. Agent Smith jumps
down from the station platform
to the tracks and kicks Neo. He
wraps his arm around Neos neck
and holds him there as a train
approaches them both. Your that
Mr. Anderson that is the sound
of inevitability. The sound of
your death. Goodbye, Mr.
Anderson. Is reenter The Matrix.
The Matrix was a pop culture hit
when it first released in 1999,
and went on to spawn two
sequels, a line of comics and
anime anthology series and
several video games. The lasting
impact of the franchise has
brought back co director Lana
Wachowski. To continue this
story in The Matrix
resurrections almost 20 years
since it originally ended. So
much of what we use in our day
to day lexicon has come from
this initial impact of The
Matrix, be it harmless terms
like a glitch in The Matrix for
interesting visual coincidence,
or more negatively driven
ideologies like red pilling that
targets feminism and liberal
politics as a suppose that
oppressor of men, a larger
discussion surrounding the
franchise has also been
maintained by the depth of
writing and potential
allegorical theming that points
towards a transgender narrative.
If you're a fan of The Matrix
franchise and have interacted
with online communities, this
may not come as a surprise to
you. The ideas put forward by
fans burst into popularity and
have only grown since Lana
Wachowski came out publicly as a
transgender woman in 2008. Lilly
Wachowski would later have to
out herself as a transgender
woman in 2016, after a reporter
from Daily Mail reportedly tried
to coerce her to discuss her
identity. She wrote in the Windy
City Times, I knew at some point
I would have to come out
publicly. You know, when you're
living is an out transgender
person, it's kind of difficult
to hide. I just wanted needed
some time to get my head right
to feel comfortable. But
apparently I don't get to decide
this. With both directors from
The Matrix trilogy, having
transitioned between the release
of the original series and the
coming fourth movie, discussion
and readings on the topic have
reached a fever pitch dividing
fans on if the transgender
themes were purposeful, or even
there at all. There's a strong
chance that you'll spot a number
of articles like this across the
Internet as we gear up for the
release of The Matrix
Resurrections later this year.
The Matrix as allegory. It's not
especially hard to see even at
the most basic level what thread
people are pulling at with this
discourse. The first Matrix film
features our lead character on
the run from a trio of almost
identical looking white men in
business suits who keep using
his dead name Thomas Anderson to
reject His chosen identity. Neo.
This is all you really need to
start the discussion. Neo is
attempting to outsmart and
outrun a system that is built to
try and keep him from becoming
more than they want him to be. I
first became aware of the
transgender discussion
surrounding the franchise soon
After Lana had introduced
herself to the world, a small
forum post somewhere led me to
an old undergrad essay from 2002
titled fluid realities, fluid
identities, gender in The
Matrix. written well before the
sequels have taken to the big
screen. The author of the paper,
Hannah Coleman, discussed what
they saw within the film that
potentially challenged gender
roles. Now serving as a time
machine of sorts, it can be seen
that Hannah had even written a
disclaimer in their summary for
the paper. My aim was to
appropriate The Matrix for some
trans theorising fun, I don't
think the Brothers Wachowski had
any transgender liberation aims
with the film this morning is
quite funny to read with the
context we now have on the
topic. But while written for
fun, Hannah had a lot of
interesting and strong beats. A
number of people maintain that
the speech Morpheus gives to Neo
about the reality of The Matrix
can easily be about the
construction of gender roles.
And I likewise suggest that
readers take the quote and swap
The Matrix for gender. He tells
Neo,
The Matrix is everywhere. It is
all around us. Even though in
this very room, you can see it
when you look out your window,
or when you turn on your
television. You can feel it when
you go to work. When you go to
church, when you pay your taxes.
It is the world that has been
pulled over your eyes to blind
you from the truth.
Following this Hannah's essay
calls attention to the writing
of Ricky and Wilkins in their
1997 book, Read My Lips: Sexual
Subversion and the End of
Gender, where the gender regime
is defined by five set rules.
One, there are only two cages to
everyone must be in a cage.
Three, there is no mid ground.
Or no one can change. And five,
no one chooses their cage. A
core part of The Matrix that
struck a chord with me was when
Agent Smith interrogates Neo
early in the film, sat either
side of a table in an
interrogation room, Agent Smith
calls attention to Neo's
multiple lives. He defines the
life of Thomas Anderson is
someone who works for a
respectable software company,
has a social security number,
pays his taxes and helps others.
While his second life is one
that he lives online under the
name Neo and is branded as
guilty by the agent. One of
these lives has a future. One of
them does not Smith tells him
it's no surprise that most
viewers know Neo will be the one
to survive as the former
identity of Thomas Anderson is
to be let go. Audiences aren't
unaware that Smith is the
villain of the scene and he is
someone to overcome. It struck
me in rewatch that Anderson is
described how most of us would
be almost everyone has a social
security number, pays taxes,
maintains a normal job and helps
people in need. Neo is
threatened with the idea of his
basic rights as a human being
stripped from him if he goes
down any path less travelled.
But none of this is news to you.
Not one bit. There's not a deep
reading of a scene that spells
itself out. What this meant to
me, though, was the same
threatening thing in my own
journey with self identity and
potential losses. I may not be
losing the core basics of a
social security number. But in
my period of self discovery, I
had an Agent Smith in my head
telling me what simple joys I
might be stripped of parts of my
family could disown me friends
could reject me, my colleagues
might avoid me and my potential
romances were all at risk. Along
with the ability to feel safe
around people that may not be a
threat at all if I remained the
person they expect me to be.
Much like Neo I lived my second
life online. I'm not proud to
say that as I someone that
identifies as a transgender
woman, type this I'm in the
middle of my fourth week with a
growing depression beard. My
female identity online is not
even close to what would be my
current Thomas Anderson. At
best, I look like a young Hodor
from Game of Thrones. When I go
out and it's quite rare at this
point, I live by allowing people
to consider me a man. A large
part of this is due to the NHS
gender identity clinic waitlist
reaching a near five year wait
for a first appointment as the
trans community struggles to
receive help. While the
secondary reason is pure
personal safety. If Neo sat at
this table, refuses to give up
his digital identity and conform
to what the agents want of him,
he will be met with opposition
for the rest of his life. Neo
rejects as expected leading us
down a path of transformation
that otherwise never would have
been achieved. The applicability
of The Matrix after Neo awakes
on Nebuchadnezzar were given a
scene as he eats breakfast a
tonne of slop with the ship's
crew. One member, Mouse, asks
Did you ever get tasty wheat? No
but technically neither did you
That's exactly my point.
Exactly. Because you have to
wonder now down to the machines
really know what tasty weight
tasted like maybe they got it
wrong maybe what I think tasty
we tasted like actually tasted
like oatmeal or or tuna fish
that makes you wonder about a
lot of things. You take chicken
for example, maybe they couldn't
figure out what to make chicken
tastes like which is why chicken
tastes like everything.
Tasty wheat being a product that
exists solely in a crafted
simulation has no way to taste
wrong. The powers that be
machines in this scenario, have
built a system that lacks the
ability to ask questions from
those inside it. But Neo prior
to his interrogation by agents
has faced the possibility that
everything is a construct. His
life in the matrix has been
produced and assigned to him by
the powers that be he was placed
in one of one two cages to that
he must remain in three without
the ability for to choose what
one five, he would like to be a
part of. Where am I going with
this? Before challenging my
identity I used to think that
Agent Smith represented the real
danger of external forces. I've
seen this film many times at
different moments in my life.
The first time as a young boy,
it was just a movie scene where
he's offered the chance to stop
his journey before it all kicks
off and puts them in danger. In
my late teens, he was threatened
with an external societal
stripping if he tries to step
out of line. Much like the
allegory debate over The Matrix
there's a continued discussion
among fans of another popular
series Lord of the Rings, that
debates if the series is an
allegory for JRR Tolkien's time
in the war. The fan base remain
split, after Tolkien himself
said when asked. I cordially
dislike allegory in all its
manifestations, and always have
done so since I grew old and
weary enough to detect its
presence. I much prefer history
true or feigned with its varied
applicability to the thought and
experience of readers. I think
that many confuse applicability
with allegory, but the one
resides in the freedom of the
reader and the other in the
purpose domination of the
author. The divide has caused
many declaim there's no wartime
experience that served as
inspiration for the popular
fantasy series. But what Tolkien
seemingly meant with the idea of
applicability is that despite
his direct intention to not have
the story be an allegory. His
own personal experiences in life
can still take shape and the
books and the experiences of the
reader can take shape and their
journey through it. Lana
Wachowski stood on stage to give
a speech at the human rights
campaigns annual gala in 2012.
This speech covered a number of
topics in relation to her trans
identity along with anecdotes
from her past struggles. At one
point, she tells the audience
about her experience with
attempted suicide.
After school I go to the nearby
Burger King and I write a
suicide note. It ends up being
over four pages little talk to
him. But it was addressed to my
parents and I really wanted to
convince them that it wasn't
their fault. It was just that I
didn't belong. I cry a lot as
they write this note but the
staff at Burger King have seen
it all before. And they seem
immune. I was very used to
travelling home quite late
because of the theatre. I know
the train platform will be empty
at night because it always is I
let the beat train go by because
I know the age chain will be
next and it doesn't stop. When I
see the headlight I take off my
backpack and I put it on the
bench. There's the note in front
of it. I try not to think of
anything but jumping. As the
train comes
this written piece your reading
started with a scene from the
final action sequence of the
movie where Agent Smith holds
Neo down on the train tracks and
makes him await the coming
inevitable death. It was here
hearing this speech as a strong
ally and closeted transgender
woman in the middle of my own
struggle with self identity that
I realised I had seen Smith
wrong on my earlier watches. No
doubt Smith will grow in my mind
to be a representation of an
external force when I get to
that portion of my changing
journey. But what The Matrix
really did for me is put to
screen my own internalised
confusion and worries that
needed to be overcome to move
forward. It told me that as long
as I keep allowing the voice in
my mind to scare me with risks
of personal loss to dictate the
taste of a constructed tasty
weight world with two cages. I
might one day be weighed down by
at all and find myself awaiting
my personal version of the
coming train. The transgender
experience begins years before
We're finding out the truth
about yourself. In 2016, Lilly
addressed the discussion in her
GLAAD award speech, saying,
there's a critical eye being
cast back on Lana and I's work
through the lens of our
transness. This is a cool thing
because it's an excellent
reminder that art is never
static. In a 2020 Netflix Film
Club interview, Lilly added that
The Matrix was all about the
desire for transformation, but
it was all coming from a
closeted point of view. I don't
know how present my transness
was in the background of my
brain as we were writing it. The
debate on allegorical intent
within the matrix can continue
to take shape as the fan base
engages with that discussion.
But Tolkien's applicability
argument felt right to me, it
doesn't feel like an accident
that The Matrix features the
protagonist being held on the
train tracks, a place where Lana
had once heavily considered
ending her own life. While The
Matrix may not have been written
with any intent to be an
explicit allegorical transgender
story, the mindset of the
creators at a time where they
were still seeking themselves
certainly seemed to have bled
onto the pages of the script
well enough that many
transgender viewers are finding
themselves and guidance through
the same confusion and use of
applicability.
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